HZ: In the third episode, this is the one where Dick is trying to fix heartbroken Logan, and it's probably the best use of Dick we've seen thus far. The professor tells Dick that if Logan keeps not coming to class, he's going to fail, and then Dick gets to the hotel suite and there are two staff members, including Jeff Ratner from that other episode, waiting outside the door with a cart of food. And they're like, "We can't leave unless Logan gives us back some trays, and we're out of salt and pepper shakers in the whole hotel."
JOY: Dude. He's really been Howard Hughes-ing it up. Hoarding room service trays... Not allowing them to clean...
HZ: Guzzling pepper...
JOY: Guzzling pepper, ha! Keeping his eyes perpetually moist with the pepper, and all just in case Veronica drops by he wants to look repentant.
HZ: Crying extra-salty tears.
JOY: Now that you've agreed to go to prom with me, Helen, but prom has been cancelled, could I interest you in a trip to the batting cages? A little batting cage romance?
HZ: It sounds a little sporty, Jenny.
JOY: A little drive through the Taco Bell drive-through? A little visit to Dairy Queen for some Blizzards afterwards? That's on par with prom.
HZ: Alright, yeah. What's the dress code?
JOY: Yeah, what is the dress code?
HZ: Are you going to get sick eating dairy? That would be very sad.
JOY: I would order a Blizzard and just stare at it in solidarity with you.
HZ: That's terrible. Could we go somewhere where you could eat the things?
JOY: OK, well, we'll just have to see what's near the batting cages, I guess everything kind of hinges on that.
HZ: Oh, so we still have to go to the batting cages?
JOY: Sorry, yes.
JOY: Has anyone ever puked on you in a romantic setting?
HZ: No.
JOY: Good. Hey, that's good.
HZ: Have they puked on you in a romantic setting?
JOY: Hell, no, I don't think so.
HZ: Don't think I've been puked on. A friend of mine at school puked in a jigsaw box at my house. That was unfortunate.
JOY: Ugh.
HZ: And two different friends puked in my mother's wellington boots.
JOY: What? On different occasions?
HZ: Yes.
JOY: Or like one per boot, at different times?
HZ: Different times.
JOY: Why? Why there?
HZ: I don't think you can really accurately find out from someone that is drunk enough to puke into a boot.
JOY: OK. Was the second person aware that the first person had done it at an earlier point? Was it a copycat puking? Or no?
HZ: I don't think, again, if you're in a state where you're going to puke in a boot, that you have the presence of mind to think, "Oh, I'll make it a callback."
JOY: OK, OK, OK. You might be surprised, Helen, what people are capable of.
HZ: Jackie's shivering. It's so cold, this is so wrong. And then fucking Madison is there missing the balls, so she just goes over to the lever and she's like, "I told you to stay home," and dunks Jackie with the lever, which is so horrible. And the teacher who wouldn't let Wallace misthrow balls is just like, "Yeah, whatever, sure." And Veronica has a face of concern. But does she do anything? No.
JOY: You know, Helen, in my elementary school, we had a summer festival thing where our principal was in the dunk tank, and I, some way or another, won the privilege of being the first person to get to throw balls to try to dunk my principal, and I missed all three times. And then I did what Madison did, but in a fun way. But watching Madison do this really made me call into question my fifth grade mentality.
HZ: Isn't the point there that the hierarchy is temporarily suspended or subverted?
JOY: Yes.
HZ: Whereas this, it's someone in a superior position in pretty much every way in society being a real shit to someone else.
JOY: Thank you for making me feel better, Helen.
HZ: Yeah.
JOY: About me, not about this episode.
JENNY OWEN YOUNGS: But if you had to choose a favourite Ninja Turtle...
HELEN ZALTZMAN: I don't know what their different personalities are, Jenny.
JENNY OWEN YOUNGS: OK, let me just run it down for you really quick.
HELEN ZALTZMAN: Which one's the Logan and which one's the Duncan?
JENNY OWEN YOUNGS: Right. Exactly. Well, Duncan is sort of the Leonardo. Michelangelo is like Dick. He's like, "Wazzup?" And then Raphael is like Logan because he has a lot of anger issues. And then Donatello, do we have like a recurring super smart person on this show? I guess Mac would be the closest? Mac is Donatello. Cool. Nailed it. And then Keith is like Splinter. And then Mr Echolls is like Shredder. And then all the one episode 09ers are the foot soldiers, the Foot Clan. Cool. Thanks for listening.
HELEN ZALTZMAN: Are all shows truly the same?
JENNY OWEN YOUNGS: All shows are one show.
HELEN ZALTZMAN: It's the same characters, but different shells.
HZ: In Vegas, Keith's guest Cheyenne arrives wearing a black dress with charm chains draped over the shoulders. Keith's hotel is quite beige and drab, and also, the TV is angled so you can't watch it in bed. What the fuck? What piece of shit hotel would do this to you? What is the point?
JOY: Yeah, that is cruel and unusual punishment.
HZ: Keith's still kind of in caring dad mode, asking Cheyenne if she's hungry.
KEITH: Are you hungry or anything?
CHEYENNE: I think not having to buy me dinner first is kind of the point. Why don’t you come sit over here with me and relax, okay?
KEITH: Well, maybe we could go sit out on the balcony.
CHEYENNE: You’re still gonna be married on the balcony. Now. I want you to tell me exactly what you want. That one thing you can never get the little woman to do. And we’ll start there.
KEITH: Actually, I’d like to start by talking about Abel Koontz.
HZ: Wow, Keith, that is one hell of a kink. Bet she doesn't get that request often.
JOY: “The little woman just won't discuss Abel Koontz and the Lilly Kane murder with me the way I'd like.”
JOY: This episode is anti-guitarist propaganda. This is very offensive representation of the guitar playing community. This guitar store - okay, if you're not watching along with us for some reason, let me just paint you a picture. Helen, they’re at a guitar store - listen, they are in the fifth circle of hell. If you're a musician and you're like, “Wow, I love being a musician but man, it is sure difficult to go to Guitar Center” because there's always like somebody playing ‘Stairway to Heaven’ as loud as they possibly can poorly and then somebody across the the store plugged into a different amp playing fucking Free Bird - it's a sonic nightmare. And this guitar store takes that idea and - to nod in the general direction of Spinal Tap - turns it all the way up to 11! There's like 100 dudes around, it's basically a chug chug a circle jerk of 10 dudes standing in a circle playing <metal riff>. Why would this happen? Also! Also, there's this mural behind the register, that eventually the guitar store guy comes out and talks to them in front of, that's kind of like a D&D/fantasy/Megadeth album cover of like a sort of like Conan the Barbarian meets a Minotaur kind of thing and he's like shirtless and he has a guitar and his arms in the air and like there's probably like lightning and mountains and shit behind him. I just - Helen. Helen, Helen. Did you see it?
HZ: Jenny. Are you ok?
JOY: I'm not okay.
HZ: Do you need me to call a medic?
JOY: No, alas. We plunge headlong from this into a really beautiful father-daughter scene where Keith and Veronica are doing their detective bit together.
HZ: Yeah, their detective a bit from when they were alive in the 1940s.
JOY: Yes, exactly.
VERONICA: Tough day?
KEITH: That ain’t the half of it. See, this dame walks in and you shoulda seen the getaway sticks on her. Says something’s hinky with her old man.
JOY: If you think I'm ever referring to my legs as anything other than ‘getaway sticks’ from here on out, you are sorely mistaken.
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