HZ: In the third episode, this is the one where Dick is trying to fix heartbroken Logan, and it's probably the best use of Dick we've seen thus far. The professor tells Dick that if Logan keeps not coming to class, he's going to fail, and then Dick gets to the hotel suite and there are two staff members, including Jeff Ratner from that other episode, waiting outside the door with a cart of food. And they're like, "We can't leave unless Logan gives us back some trays, and we're out of salt and pepper shakers in the whole hotel."
JOY: Dude. He's really been Howard Hughes-ing it up. Hoarding room service trays... Not allowing them to clean...
HZ: Guzzling pepper...
JOY: Guzzling pepper, ha! Keeping his eyes perpetually moist with the pepper, and all just in case Veronica drops by he wants to look repentant.
HZ: Crying extra-salty tears.
JOY: What is it about people and twins and threesomes? You ever think about that, Helen?
HZ: Not in a desirous way. I feel like it's a bit disrespectful of the family relationship between them.
JOY: The family relationship, the autonomy… The mystery of twins, and the pain and struggles that we shall never know as two non-twins.
HZ: I have nieces who are twins, but they are ten, so it feels like not the time to talk to them about it.
HZ: In Vegas, Keith's guest Cheyenne arrives wearing a black dress with charm chains draped over the shoulders. Keith's hotel is quite beige and drab, and also, the TV is angled so you can't watch it in bed. What the fuck? What piece of shit hotel would do this to you? What is the point?
JOY: Yeah, that is cruel and unusual punishment.
HZ: Keith's still kind of in caring dad mode, asking Cheyenne if she's hungry.
KEITH: Are you hungry or anything?
CHEYENNE: I think not having to buy me dinner first is kind of the point. Why don’t you come sit over here with me and relax, okay?
KEITH: Well, maybe we could go sit out on the balcony.
CHEYENNE: You’re still gonna be married on the balcony. Now. I want you to tell me exactly what you want. That one thing you can never get the little woman to do. And we’ll start there.
KEITH: Actually, I’d like to start by talking about Abel Koontz.
HZ: Wow, Keith, that is one hell of a kink. Bet she doesn't get that request often.
JOY: “The little woman just won't discuss Abel Koontz and the Lilly Kane murder with me the way I'd like.”
HZ: At school Veronica is at the lunch tables questioning Yolanda's friend Gabrielle who's just talking, talking, talking, talking. And I love how Veronica says in voiceover some stuff that really illustrates the daddy-daughter dynamic chez Mars.
VERONICA VOICEOVER: One thing about an ex-cop for a dad is that some boring Sunday when you’ve seen all the reruns, he might kill time describing, for instance, how to tell if someone’s lying in an interrogation. Take Yolanda’s friend Gabrielle here: the indirect eye contact, the smile that doesn’t crinkle the eyes.
HZ: It's so useful. I wish I'd had such a useful dad. He probably could have told me how to like cut down a tree or something - but then I wouldn't have been allowed to touch his chainsaw.
JOY: OMG, a chainsaw!
HZ: Oh, my dad loves his chainsaw, yeah.
JOY: <psycho music>
HZ: Not like that; you would never besmirch it with human flesh, it would clog the chain! God, Jenny.
JOY: Oh my god. My mistake.
HZ: Have some respect for the implement!