JOY: When Lamb is clearly going to be difficult, and Keith hands him the CD to essentially blackmail him, Lamb crosses his fingers and says, "I really hope it's the new Big & Rich." Helen, do you know, are you familiar with the musical artists Big & Rich?
HZ: I'm not, Jenny. Should I?
JOY: Well, they are, I think, best-known for their country smashola ‘Save A Horse, Ride A Cowboy’.
HZ: That doesn't work.
JOY: That's about sex. ‘Have sex with a cowboy.’
HZ: "Don't fuck a horse," OK, what a message.
JOY: Listen! You have to hold two layers in your mind at the same time. "Don't ride a horse regular. Instead, fuck a cowboy."
HZ: "Take a cowboy to the races, and see if they can handle the jumps"?
JOY: Just make sure you only have one headphone in at any time.
HZ: I just don't think this analogy works, Jenny.
JOY: Helen, I feel like you're missing the spirit of modern American country music.
HZ: At school Veronica is at the lunch tables questioning Yolanda's friend Gabrielle who's just talking, talking, talking, talking. And I love how Veronica says in voiceover some stuff that really illustrates the daddy-daughter dynamic chez Mars.
VERONICA VOICEOVER: One thing about an ex-cop for a dad is that some boring Sunday when you’ve seen all the reruns, he might kill time describing, for instance, how to tell if someone’s lying in an interrogation. Take Yolanda’s friend Gabrielle here: the indirect eye contact, the smile that doesn’t crinkle the eyes.
HZ: It's so useful. I wish I'd had such a useful dad. He probably could have told me how to like cut down a tree or something - but then I wouldn't have been allowed to touch his chainsaw.
JOY: OMG, a chainsaw!
HZ: Oh, my dad loves his chainsaw, yeah.
JOY: <psycho music>
HZ: Not like that; you would never besmirch it with human flesh, it would clog the chain! God, Jenny.
JOY: Oh my god. My mistake.
HZ: Have some respect for the implement!