HZ: I don't acknowledge dream sequences. You know this.
JOY: Ha, yeah.
HZ: Well, I don't acknowledge this one. Fucking Lianne Mars? I hadn't missed her, I'd forgotten all about her.
JOY: Yeah, I kind of forgot that she ever existed.
HZ: But she's bearing laundry, because, in this dream, she's the perfect mother - as in domestic, and just sort of smiling gently at everyone else who's more interesting. She's got a much bigger house...
ALANNA BENNETT: Yes.
HZ: ...and a pancake breakfast, and Keith's in sheriff's uniform, and Veronica body-shames herself.
ALANNA BENNETT: Yes, because she's still the Disney popular girl, and gullible. I like that in her head it's like, "I wish that I were still this, like, gullible little princess."
JOY: Ha! The good old days.
HZ: There's quite a lot of setup this episode for this guy Lucky, but we see him for about 30 seconds, so just don't peak too soon.
JOY: Chekhov's... veteran?
HZ: Chekhov's really saving him for another play. "You know what, I'll seed Lucky in the first act of Uncle Vanya, but I won't get on to him until Three Sisters."
JOY: I'm laughing like I have any idea what Chekhov wrote and in what order, but I don't.
HZ: Anyone? Anyone?